This seems in direct contrast
to what Porter talks about with intertextuality theory. Are the ‘traces’
within a text technically appropriation of others’ work, even if you develop
an original argument?
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"…Pedagogy must inevitable fail
in its attempt to impart “moral” principles of composing one’s own text
instead of appropriating others’—which Kelly Ritter (2005) has called ‘whole
text’ plagiarism" (219).
|
I think this is a good point. Students
think if they follow the rules they ‘know’ about plagiarism, they’ll be okay.
But there are so many unclear rules and versions of plagiarism (collusion,
Porter) that it needs to be thought of as a learning process, not something
that can just be easily avoided.
|
"Margaret Price argues that
college plagiarism policies should “indicate to students that learning to
avoid plagiarism is a process of learning conventions and customs, not an
instantaneous event" (220).
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Moving to identifying a
problem. The goal of attaining cultural capital benefits instructors, not
students
|
"College instructors tend to see
academic writing as a means of attaining what Bourdieu calls embodied cultural capital: 'long-lasting
dispositions of the mind and body'" (222).
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Ultimately then this is
self-serving rather than “altruistic.” Howard claims that instructors are not
selflessly concerned about their students developing skills and knowledge.
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"By urging on our students the
importance of the “knowledge and skills” we offer to impart, we are inescapably
urging that our students value us, too—that the desire to be like us…" (221).
|
Howard quotes Bruce Horner. I
thought this quote was incredibly bleak, with the implication of the insecure
instructor and his/her fragile ego, which leads them to distrust or suspect
their students.
|
‘I am always nervous…on reading
student writing that seems to me to be saying something important, or in
which “something is happening.” I distrust my own sense of pleasure in
reading it. I wonder if it has been plagiarized’ (221).
|
Shouldn’t all instructors be
like this? Maybe it is easier for newer instructors (like me) who don’t have
any experience or enough confidence to know that their lesson plans/goals
work out for students. I am constantly adapting the way we discuss an article,
look at sources, etc.
|
"Hillocks celebrates one
instructor in his study who has a “positive attitude” toward students,
evidenced in part by his willingness to critique and revise his assignments
when his students don’t do well on it, rather than attributing the “failure”
to the students" (225).
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Different goals.
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"And so the battle is joined. The
contestants are instructors striving to legitimate embodied cultural capital,
versus students striving to acquire institutionalized culture capital as
efficiently as possible" (226).
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Howard argues that most
students’ papers are valueless because there is no effort put into them, no
strive for authorship or voice or creativity.
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"In this imaginary, writing a
college paper is not an act of authorship; it is an act of qualifying oneself
for grades that will achieve purposes entirely external to the writing of the
paper" (228).
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Does Howard think it is
possible to instruct students without manipulating them? I agree, though,
that there is a problem with such defensiveness against plagiarism rather
than just positive encouragement in favor of writing.
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"Yet I see in this process-as-prevention
a mechanism, a ‘trick’ against
plagiarists rather than for writing" (229).
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A possible solution or change
of focus offered by Howard: make assignments that introduce students to the
stages of inquiry- asking the “right” questions within a discourse community
(Porter) or navigating that “alien discourse” (Allen).
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"…We parody the writing process
just as surely as does StudentHacks.org when we create assignments intended
to thwart plagiarism, instead of assignments designed to engage students in
stages of inquiry that invite them into the intellectual life" (229).
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Friday, September 14, 2012
Howard DN
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